What DO I do?

When people ask me what I have been up to I'm often a bit stuck, so I thought it would be a good idea to highlight some of the things that I do aside from strum around Hampshire. Some of it may appeal some may not.




My website has pretty much all the info in it but I'll break down some things here.



You can download and buy cds of my music here http://nicktann.bandcamp.com// some of it is free but the new stuff is £3 to download & £5 for the physical cd.



I have Facebook page http://www.facebook.com/pages/Nick-Tann/128598242167?installed=1&fb_page_id=128598242167 for me and my music



I produce a weekly podcast, it's like a radio show but on the web. You can listen to it by clicking on the iTunes button on the top of the page here http://isthisthingonpodcast.blogspot.com// I play great music that other independent artists send me, have a bit of a chat, do the odd interview plus some other bits & pieces. If you know someone who might want their stuff, there are instructions on the link.



I run an event called Pure Acoustica, its a thing where artists play in venues without microphones and amps. You can see that here http://www.pureacoustica.com/



I have a small consultancy business where I help people including other musicians, promote themselves using the internet http://www.nicktann.co.uk/advice1.html





If you are interested in coming to see me play then this is the page that has all my gigs listed http://www.nicktann.co.uk/Gigs1.html


There are a few more projects I'm working on but I don't want to swamp you with info.

Busy times

I often feel that I neglect this blog. I have others, three others but this one is just for my music. I think the fact that I don't use this one much is rather indicative of the fact that I don't push MY music enough.

I've spent the last few months working on my podcast and have had a great success,  finally finished Tom Caulfields brilliant album for my label Pure Acoustica Records.
I've also been working on Pure Acoustica , that also is starting to pick up and I'm stating it in a new venue this week.


A few weeks ago, after chatting to Matt Stevens, I started push my music and have had some great results especially with podcasters, ironic eh?

Bug cast and Made in the UK played my tracks this last weekend and there are more to come including some play on BBC local radio.

I am also planning an exciting development to the Vinyl project, remember that?

I'm also uploading my latest album plus some other stray tracks on to iTunes this week. I've actually been earning some money from iTunes, something I thought would never happen. It's not a fortune, enough for a few pints and enough to pay to get this new collection of songs up. That will make a total of about 37 tracks up for sale.

So now that Tom's album is finished, the podcast is looking after itself, Pure Acoustica has started again AND I've got plenty of gigs lined up for the summer now is the time to push these tunes of mine.

Come the autumn and winter I shall be writing another album or two and perhaps leave these tunes behind, but then again.......

Schemes and Plans

I thought it might be a good idea to lay out my plan for this new year. I spread myself around the internet and I hope that this will answer some of the questions that I get asked regularly.

1) The Vinyl Project is still a going concern. It's a big project and will take time (*something that I do not have enough of) to fully develop but IT WILL HAPPEN. All the money that has been given is sitting in a special bank account and will not be touched until certain milestones have been achieved. By that I mean sufficient funds to start recording and a certain level of publicity to make the whole thing viable. I promise that despite my dwindling personal funds I will not touch the money collect and THIS PROJECT WILL HAPPEN.

2) Pure Acoustica Despite The Dolphin (our main venue) closing Pure Acoustica is far from dead. I have found a great venue to carry on. More details to follow. If you're interested in Pure Acoustica either from an audience point of view or as an artist either pop your email address into the reverbnation widget on the right or if you're a Facebook person click here.

As well as the live element of Pure Acoustica, I have also started a Pure Acoustica label. I have 2 great artists Tom Caulfield and Emmy-Lee signed up already. I am three fifths of the way through Toms album and have yet to start on Emmy's but will do *very soon.
I'm also half way through recording a new album of tunes, NOT THE VINYL PROJECT, that I hope to finish in the next 4 weeks*

3) Is This Thing On pod-cast I'm itching to start again but it's the lack of time* that is once again holding me back. The main thrust will still be independent (ie poor) composers and musicians as well as the usual rants, opinions, crazy ideas and some of the best non signed independent music I can find as well as that I have some interviews lined up.

4) I have promised to do a few live radio spots for some of my friends who have regular shows and will let you know as and when they happen.

I'll also continue to play out in Southampton as well as anywhere else that I can find and will continue to do musical odd-jobs for Watch With Mothers and anyone else who wants me.

*TIME.....All the schemes and projects I have suffer from me not having enough time to commit to them so I have taken the decision to give up my day job later this year and go full time on musical projects. It's a big decision as I have bills, mortgages and daughters to consider. But if I don't do it now, I never will.
I have a few things I can fall back on if I need some part time work (the docks are just up the road sweetie) and a very supportive wife so it should work eh EH EH?


To follow my progress you can follow this blog, to be kept up to date with gigs, radio appearances etc pop your email address into the first reverbnation widget on the right (the Nick Tann one), I also have a facebook group here  or you can come and stalk me at Twitter
If this is your first time here, welcome. Have a listen to some of my tracks and if you like then tell a few people eh?

Last Saturday

Just posted a short vid of an audio clip and some still from my gig at The Soul Cellar in Southampton as part of the Angry Badger Showcase. Yes, I'm not too sure why they asked me but I'm glad they did!
Pucka stage, P.A. and some great lights care of Glynne.
I asked Joe the sound guy to experiment with the out front sound, hence the crazy reverb.
It was interesting how some songs don't work as well with a P.A.
"Glad you Came" was a bit odd. All that picky guitar doubled back on itself but I thought this version of "How Do You Sleep?" worked pretty well.
Eh?

Le Weekend

I love weekends. It difficult not to. I have tried to get out of the habiot of wishing the whole week away and just focusing on it (the weekend)

This weekend is going to be a humdinger.

I have organised for a group of musicians (most of whom I have never met) to play at the Winchester Mayfest. They are members of a company I started a year ago call Pure Acoustica. The whole idea is that no amps, microphones or p.a.s are used, it's all TOTALLY acoustic, geddit? We will be playing at the Discovery Centre (yes, it's the library) from 2 until 5 pm. After which I shall be heading off, guitar in hand, to a few pubs where other musu types will be playing traditional folky type music and hopefully joining in.

Those who know me will know my attitude to folk or "fulk" music. But this is different. It's a spontaneous almost improvised, natural kind of music. There will be fiddles and banjos, penny whistles and flutes. OK, I know what you are thinking but the ale will be good!!

My daughter is down for the weekend which is always a delight although she will want to get home in time to watch Eurovision.

What are your weekend plans?

Webfriends

Do you have webfriends? People that you have met on the web. You may have come across them on a forum, social network, seen a video or heard a piece of music that they have made.

Webs friends are great.

I have many.

Most of my webfriends I have never met or talked to. I have met a few but I've found that once I have met or spoken to them they lose their allure, their mystery.

I re-recorded a track of mine for the guy who made the video. Originally the track was 4:32 but he needed it to be 3 minutes. Over 2 months or so we swapped many email and even recorded messages to each other, tweaking the track here and there, suggesting ideas for the video, that were sent as email attachments.

I have webfriends that I've had for over 8 years! In America, Canada and all over the shop.

I catch up with them sometimes via messengers and the like.

I have webfriends at http://watchwithmothers.net/ as well finding some new ones at Twitter and http://www.ustream.tv/nicktann

Do you have webfriends?

What are the advantages/disadvantages?

Master Plan

So this is part of my master plan. I found this piece of software, I forget the name. You can expand branches and group things. So I spent most of easter doing this plan. This is just the website part, there is a much bigger plan that this is just one part of.

So now I get down to actually DOING the plan.

And to be honest, it's all a bit daunting and is it realy worth it?

Will it be a success after all the work?

It fucking better be!!!

n.b. click on the picture to see it in it's full glory....

It's been a while

I know it has been a while but I have been a bit busy and have lacked luster and enthusiasm when it come to blogging and pod-casting. It can be hard work keeping all this stuff up. The blog, the pod-casts, the ustream gigs as well as writing and recording and publicizing myself. Sometimes I feel that there is so much to do, it's hard to find somewhere to start.

However.

The summer holidays will soon be upon me and I will have six weeks to produce stuff as well as hitting some waves on my new body-board. 

I'm still as creative as ever. New tunes, new ideas and opportunities flood my mind.

I just get a little worried sometimes that I'm not producing enough actual material and that it's all a bit pointless. We all get like that though, don't we?

DON'T WE?

This will be good though http://www.winmayfest.co.uk/2009/performers.htm

that's me that is!

Sleeve Notes for new Album "Bare Bones"

On listening to the first couple of tracks of Bare Bones I doubt you'll be clicking the iTunes buy button straight away.

The production is basic, to say the least, the vocals are often overwhelmed by the guitar and vice versa. Many of the tracks are short, have untidy endings, lack a "bridge" or "middle eight" or even a chorus!

This is my "back catalogue", my history. Many of these songs were recorded over ten years ago at 3am using one basic microphone and an old Mac. An audio notebook of ideas and inspiration.

But there are songs, oh yes, and that's what I want people to hear. Naive perhaps, basic even.

The alternative would have been to leave them, let them rest on a hard drive until the Mac eventually dies. But then what would have been the point? I still play many of these songs; I will often take parts from songs, a chorus, intro or theme and use them in a new composition.

So these songs are footprints, the tracks of my journey to the here and now.

No vocoders, no auto tune or expensive production or mastering.

Have a listen, you may even remember hearing one for the first time at that gig 8 years ago with that guy you didn't know in that dodgy Soho club you went to just the once to check it out but never returned. Or you may have been round my flat one night after the pub and cajoled me into playing something.

Or, of course, you may be listening for the first time in which case, don't judge too harshly as what you are listening to are just the "Bare Bones"

See what I did there?

Original artwork is by my good friend Charles Olsen

Podcast no 7

This week, amongst other things, I rant about buying a fridge at Comets, play some fantastic music by Matt Stevens and Simon Javens, a new advert for those great folk at Hayward Guitars in Winchester, talk a little about Pure Acoustica and launch the very first "Twitter News"

It Could Have All Gone Horribly Wrong

But, fortunately it didn't.

A chap called Nick dropped me a line to tell me about a new weekly event he was starting called Natural Jam, an acoustic night at The Havana Bar in Southsea. I quite like Southsea, I have some friends there and vaguely remembered going to this bar once last year. I had been drunk but remembered the table football and great murals. I digress...

It was agreed that I would play the opening night last Tuesday 12th Nov.  I Googled the other people on the bill and checked out some of the people attending.  Shit they were young. Teenagers and early twenties types, not my usual audience of 30-40 somethings. I was a little apprehensive.

It could all go horribly wrong. 

My last gig being Chaplins I still felt a little shellshocked but I turned up optimistic anyway.

Nick had decided that all the acts (there were 3 including me) would play without mics, amps and all that shenanigans and play pure acoustic. 

The stage is pretty big, set up for bands and the like.  Plenty of comfy couches and sinking chairs.  The first act, I would guess, are more used to electric guitars and P.A.s but did a pretty good job and the djembe sounded great.  Next came a duo who also accounted well for themselves.  They even had a bash at Hotel California which shows some balls!

I did pretty good! I had re-written "Don't Make Me Wait" putting in a key change and changing the chorus.  I had a ball, I love this pure acoustic stylie.  Unfortunately, the fucking minidisk player didn't work so I don't have a record of it but i enjoyed myself no end and can't wait to play there again. I think that this could be a great success this pure acoustic stuff and I hope Nick realises the potential this place has got.

If I had one niggle it would be that no-one was introduced. We all kind of shambled on and started.

What about a "Welcome to Natural Jam at The Havana. We do this every week. Lets all give it up for Blah Blah Blah?"

Come on Nick, pull your finger out eh?

Chaplins....I should have known, all the signs were there.

I should have done this gig a month or 2 ago but the person that ran it had a great tragedy and decided she couldn't carry on, so I got cancelled.

Bugger!

Shame, it was a nice place to play.

Then I got an email telling me that Jase was now promoting and after a few back and forth email he booked me.

We arrived (Mrs Nick and me) a little early only to find that there had been a flood and that the gig would now take plae in the cellar bar underneath Chaplins. I did think "Food upstairs yet downstairs is dry?" but carried on regardless.

Jase is a friendly soul, he runs other venues in Bournmouth and has a gentle relaxed way of working so I felt at ease and pretty chipper.

The place did have an odd feel to it, the crowd all seamed to be hidden away round the corner and no one around the "stage" (read balconey see pic).

It felt a little wierd to be plugging in and it was cramped fitting the mic stand and leads aropund the chair etc etc etc you get the picture.

Well finaly it was time to begin, Mrs Nick had been joined by 2 hairy student types who sat alone at a table next to Jase.

I was a little unsure about about playing a ballad first but I cracked in to "I just Can't Get Happy" nevertheless. I was a bit unsteady and didn't as good a job as I had hoped but it picked up towards the end. As I played the last chord I looked up to see the reaction form the "crowd" and was greeted by the sound of.....well fuck all really. Mrs Nick just kind of looked at me with a "er?" look on her face. 

I wasn't expecting rapturous applause but I though a little clap and a cough wouldn't go amiss.

This non reaction continued for the next 4 or 5 tunes, I sort of zoned out into my own little world. I made the decision to play the best gig I could despite the flat reaction. To be fair Jase, hairy students (2) made the right faces whilst I was playing, Jase giving me the occasional reassuring nod and Mrs Nick smiled in a "What the fuck?" kind of way.

Then came the pissed women. 

Now 90% of the audience where hidden round the corner of the bar and couldn't see let alone hear me, but as the night (it seemed a very long night) progressed the odd drunk woman leered around one of the pillars to see what that noise was (me). Eventually one of them employed the same "Kestrel" principle as the drunk in the Eclipse 

and tried to focus on me as I ripped into "That Woman" the results of wich you canhear on the video cunningly inserted below.

I finished the set early, I couldn't see much point in carrying on, I'm no prima donna (anonymous, take note you shit!) but I had travelled 30 miles and was doing this gig for no money to an audience of 4 one of them being my wife, so.....

Jase seemed pleased regardless and offered me some more gigs at the other venues that he runs in and around Bournmouth, so not a total waste of time. I would like to just mention tat Jase was a star throughout and was totally unfazed by the lack of audience.

On the drive home Mrs Nick and I reran the gig as we usually do and decided that no one would have roused that crowd and that we put it down to a one off odd one. Mrs Nick commented that, ironically, I had given one of my best ever performances (bless her) and if people weren't into it fuck 'em!

So there it was....

No 

Not at all.

Those shits.

What then followed was 6 days of depression and self doubt.

Yes, I had played well (had I?). Yes the songs are great (are they?) How did the second band get on? We hadn't stayed for them. Did they bomb too? Who knows?

It's tough sometimes, you sit and write and craft the songs you try and believe that you're worth it. You rock up to a strange place full of people that you don't know and you sit there and push these tunes out and hope ...........

It's the self belief that's what you (I) have to have otherwise you (me again!) may as well stay at 

home and strum on your own.

So I lost it at Chaplins, but I got it back. 

I WILL lose it again and again I know I will, that's the way I am.

In other news I have become a great fan of Matt Stevens

of whom I will talk about next time. Check him out.

Now enjoy the video.....dum dum dum......

Catch Up

The Edge of the Wedge Southsea.....is a nice little bar. I played there before earlier this year and loved the place. It's situated on the main drag in the seaside bit of Portsmouth next to The Wedgewood Rooms. It had changed a bit since I had last played there. It had more sofas and it was dark outside. Not the bars fault obviously just the time of year. I was given the choice of when to go one and decided on the second slot. There were 3 acts on (supposedly, I'll get to that) so the second slot was the obvious choice. The first guy could soften them up (the audience), I come on and blow their minds and then the poor sap coming last has to "follow that!". Yes, cold and calculating, that's me.

The first guy came on and did a good fluffing job for me. Then I hauled myself out of one of the many sofas ( they really are very comfy) plugged in and was good to go. I was a little apprehensive as I had decided to do my quiet, ballad rip your heart out songs and the place was pretty noisy. It was a youngish audience and there were a few characters at the bar who looked like they might not take to songs about unrequited love, prostitutes the odd Jeff Buckley cover.

Also, just as I was about to start the entire bar erupts into a cheer as a be-spectacled figure walks in with a guitar case nodding, exchanging back slaps and pleasantries with pretty much everyone in the place. It then dawned on me (quick see that's me) that these were ALL his friends. They had ALL come to see him. He soon collected a little posse of smokers who would, en masse, troupe outside for a smoke and more backslaps throughout my set. 

However, they loved it or rather they loved me. They were quiet and attentive throughout my set, applauded and cheered in the right places  and were more than happy as I pimped my cards and cds after my set.

I then realised that my decision to go second was a good one. Mr Popular came on and played a short (15 mins or so) set of tunes on his Uke  that he had written 20 years since and were known by the entire bar, as they were all his friends (remember? Hope you're keeping up).  Funny, witty and not too far away from the great George Formby whose wife Beryl is a bit of a hero of mine. Next up was another friend of the audience who, guitar in hand, went on to please the audience. All this, coupled with the comfy sofas, had the feeling that we were at a house party thrown in a strangers house.

By the time yet another "mate" had taken the mic we thought it was time to leave. It was all very good but yet another private joke laden set was too much for us by then and we (Mrs Nick, Bill & Lisa ) disappeared into the night

This was just before all my Winchester gigs so a nice little warm up it was. 

Not like Chaplins last sunday, oh christ no.......

Pure Acoustic

So last Friday I thought I'd try something new. I really enjoyed the whole Froggies bar experience from the week before. I did email the Frog about playing there again but methinks I may have been a bit too pricey for him. He's probably found a cheap covers merchant by now but I'm not bitter. 

But I digress 

I decided that for the gig at The Eclipse I would play totally acoustic, no amp and no mic. Just me, a stool and a guitar. Despite it being only 6.30 there was a fair share of drunk types about as well as some BLIND DRUNK people staggering about. 

It was fantastic, the feeling of just sitting in the middle of this pub "naked" was one of the most liberating feelings I've ever had and I've had a few. The sense of freedom was overwhelming . Yes, people did speak when I was playing and I fell into that same "adding to the atmosphere of the place" feeling that I had experienced the week before but the reaction after each song was just amazing. During the second half hour one of the afore mentioned drunks hovered in front of me agog. He had the look of a young kestrel, head still and eyes fixed whilst his body gyrated trying to steady itself against the torrents of alcohol pulsating through his system. Now normally this would have been a little disconcerting. You never know what your average drunk will do. Will he (why is it always a he, I despair of my gender sometimes I really do) get nasty, friendly, emotional or just vomit over you and pass out? The thing is is that one feels a little trapped, guitar plugged in and mic and stand holding one in. But this feeling that at any time I could just get up and run gave me the kind of confidence usually reserved for super-heroes. So I turned and looked at him, he was about 3 feet away carefully (kind of) balanced on a table, and sang "How Can it be Wrong When it Feels so Right?" straight at him with feeling and passion. 

I doubt if he would have remembered much about that night, seriously he was so wasted that he fell into a table later and pretty much passed out. I wanted him to wake up in the morning, try and piece the night before together and then remember this big guy with a guitar singing love songs to him. Nevertheless it was a great evening culminating with food and wine and good company

I'm at Chaplins in sunny Boscombe on Sunday and possibly shooting a promo video if I can get my act together.

The Candle Club!

At last I can say that I have played The Candle Club !

This is a great club based at the Back of The Talking Heads pub in Portswood Southampton.

I have been checking it out for a few months but, for reasons I will tell you later, had not played.

the idea is that you turn up and book a 10 minute slot, hang around until that time, then play. There are a set of traffic lights to the left of the stage. They stay on green for 7 minutes, then 2 on amber. When they switch to red you stop playing. The stage is huge, the place is a bit of a barn, the p.a. is top class as is the lighting. The audience is great and will get bigger when the uni students return. The atmosphere is very very friendly and professional. There are a few regulars that come along every week, I think. One of which is Kim Tecno who I missed last week but have seen before. A performance poet of the stoned, pissed off, reflective kind. His ranty observational funny verses are complemented by what I can only describe as "kick ass techno" which he plays himself on a small silver keyboard. His shambling disorganised persona is original and very funny. I highly suspect that this is not an "act" and he is like this. I bloody hope so!

"So why haven't you played before?" I hear you ask.

You'd forgotten that bit hadn't you? Do try and pay a little attention!

I think it was a mixture of confidence (lack thereof) actually it was just confidence. 

The act of turning up asking "Please sir, can I play?" was just a bit scary.

It's just ridiculous I know, I've done so many gigs played to hundreds but this "please" was just stopping me. I had been putting of playing for months but had finally ditched that weedy little wanky voice in my head and just thought "Fuck it!" and did it.

I now swagger, yes swagger, now that I've done it. It may sound like a small thing to you and it wasn't a huge thing for me but big enough for me to think of it as a fear faced and defeated. 

I did play well, if you give a tinker's cuss, and I sang like a dirty angel. Just two tunes; How Do You Sleep (with the new very high notes!) and All I Think About Is You (which I am in the process of recording and will be releasing as a single....kind of)

I will be there tomorrow, oh yes.....

Get Out Of London!!

Seriously, if you’re an artist trying to garner any kind of success then get out GET OUT!!.

 

Let me start at the beginning. Assume that you are a singer/songwriter type. You want to play in a nice place, sell cds to strangers, get people you don’t know to come to your other gigs and possibly have sex with beautiful women.

 

My experience is that unless you have connections you will play empty dives in the middle of housing estates, obscure expensive bars no one goes to,  acoustic nights in noisy bars that empty as the previous acts and their many friends depart after their “stint”.

For this London rock en Roll experience you will be paid fuck all.

“Promoters” of such events will not publicise you nor will anyone ANYONE wander in hungry for live original music except drunks and junkies who wouldn’t get served anywhere else.

 

You will not sell any cds and beautiful women will definitely not lay you. 

 

So my advice would be get out of London.

Come and play out here in the country.

Come and play at great places like Chaplins in Boscombe.

Lovely, enthusiastic women like Fiona will great you, shake you by the hand and be pleased to see you.

James the pianist and sometime sound guy will make a point of coming over and asking what you need and offer you a free drink.

Other performers will be talented and passionate and friendly, swapping places to play and being generally “chummy”

Ok, you won’t get paid as it is a free venue but you will play to a respectful, appreciative and enthusiastic audience that you didn’t have to bring yourself.

You will get your photograph taken and even a video of your songs to be put on the venue website.

Hopefully they will ask you back to play a longer set eh Fi?

You may take a beautiful woman home.

You may even be already married to them!

 

 

 

By the way, if you continue to thrash that dead horse that is ‘The Londin”you may as well busk, you’d play to more people possibly sell a few cds. You might even get laid!

The Beggars Fair 2008

I wasn’t filled with optimism when I first entered The William IV.

There was a 5-piece covers band in full swing, well a kind of swing, playing in a neutral oblong room with an audience of about 15.

Do I have anything against cover bands,  I do as it goes.

Not cover bands per say. Some would argue that the London Philharmonic play covers. It’s the “pop” or what was once pop/rock/country/fridaynightdownthepubhighhosilverlining type cover bands.

I’ve played in them. It’s a soulless occupation and you go home with your £50 hating yourself. Well ….. I did.

It wasn’t my past shaming me, well perhaps a bit, but the fact that I was on straight after.

If one has been enjoying the regurgitation of old Cliff tunes or tapping ones foot to singsong Beatles classics, then this git with the guitar with too many strings, singing you his stories of old loves lost, sexually predators ect is just going to irritate you.

But, I could not have been more wrong!

The scary guy who owned the PA (think the replacement drummer in The Commitments) was very helpful. He sorted me out sound wise, well I plugged everything in and twiddled a few knobs optimistically until Debs gave me an “OK” nod , but he was friendly non the less.

 

Now for this gig I had moved away from the usual set list idea. I had listed all the songs I was happy playing live, but I had used illustrator to cunningly put them haphazardly on the page. This way I could just chose whatever song I felt at the time would work. It was a great idea and one that I’m going to continue using.

 

I stayed away from some of the slower songs and kept it bluesesqe.

I went down pretty well with a few folk poking their heads round the door from the garden/smoking area from time to time. I even played my new cover “little sister” which went down a treat.

 

On to The British Legion, yes I shit you not! As already mentioned, in my tawdry past I have played the odd ‘Legion/Conservative club (ha!) etc so even with the memories gently emerging, I kept optimistic and decided I was going to , as our ‘Merican friends call it “Kick Ass”.

The British legion in Romsey is a little like what I imaging a cruise liner to be, big bar, plush carpets, nice toilets and full of old people.

A lot of old people, wall to wall. Suits and ties and flowery dresses.

There were a few younger types but they stayed mostly in the patio/garden area.

And then THEN there was my audience. Loverly they were. Sitting close and tapping tables and clapping at the right places. I had only just played the ‘William” so I was good to go. I had considered dropping a few of the more risqué songs: One Night Stand, Pale Moonlight (“turn me over ‘cos I like it like that!) but then as most of the oldies couldn’t hear anyway, I played them.

I could see a couple sitting straight in front of me where very into me. they looked oddly familiar but I let that pass. After my set, (I must say I was pretty good) the lady, well I would say girl as she looked about 19 but the guy she was with looked about 30 but who am I etc…..WELL she came up and asked if I had a cd for sale?

“Me? A cd? Of course I have a cd, I have one just here along with about 10 others that I’ve never sold ever before at a gig, yes NEVER SOLD A CD AT A GIG BEFORE!

I did feel a little pang as I handed over one of the cds that had, over the last few months, has become a friend and a comfort to me in times of stress.

“ A special festival price of £5” I spluttered.

Ha!

So, my chest bursting with pride and a spring in my step, we ventured forth to see the wonderful Louche Manouche down at The Melting pot stage. 

Some of you more eagle eyed readers may have read my Beggars Fair blog from last year ( I think it's further down the page). This year daughter was left at home with the internet baby sitting her and mrs Nick was asked to ignore me, let me get to the gigs in my own time and my own way and not to "whoop" whilst I, the great maestro, is performing. This she did admirably and looked damn sexy all day!

All in all a good day. 

I don't mind this gigging lark, I'm going to do a few more.

 

Apropos nothing, the phrase

 

“God made Adam and Eve, NOT Adam and Steve” appears to indicate that if you can make a bullshit rhyme, then that gives it some kind of truth.

 

“God made Adam and Eve not Julian and Sandy” 

Portsmouth Multi Cultural Festival...... Ole'

I did though. It was the Portsmouth Multi Cultural Festival.

I played it today at around 1pm.
I guessed it was a council run thing, it had that feel even before I got there.
It had no website, that was my first clue.
I was billed as "Nick Tam Spanish Guitarist" Not the best of starts. "It says that on your website" said Junior in his high visability vest. "I sent you a cd" said I "There wasn't any Spanish guitar on that". He obviously hadn't heard the cd or checked out my website that well. I do play Spanish guitar, it's a guitar made in Spain and I do strum some Flamencoesque type doodles but I'm no Paco Penia.
Anyhoo, I was told I would be on around 1.40 but in the end I went on at 1.00 and played for around 30 minutes. As per the sound on stage was great but out front I was told the guitar was to quiet. That's the thing with these non muso type events. I mean how hard is it? One vocal mic and a guitar with a pick up. Two faders, work it out.
I was quite popular with a small group of young mums, one of them kissed my hand later congratulating me on my wonderful voice, bless. Actually I did go down quite well despite my quiet guitar. 
As soon as I came off I was wisked away by the media, eXpress FM, Portsmouth's local radio station to be interviewed by the Country Music presenter. " I also run this website" he said as he thrust some bumf into my hand, something to do with relatives on-line? " I also run a English School in South America!" he enthused. Ok, I get it, this isn't all you do.
After a couple of obvious "What kind of music do you play?" type questions I was brushed away in favour of a lady dog trainer with her alsation to talk about training for your pouch. I left them a few cd's, although I should have kept one for the hand kisser.

Unsigned?

Unsigned?

I am often referred to as an “unsigned artist”.
I blame no one, I do it myself. Nick Tann, unsigned artist. I have always hated the tag, it sounds as though I am lacking in a way.

“Are you signed Nick?”

“No” I say, blushing at my shame “I am unsigned”

When putting any of my yap on the web, tags have to be applied to documents to help all those poor folk out there find what they want. “Original” “12 String guitar” “songwriter” etc are all positive then “unsigned”. It should have one of those glum emoticons after it and a big apology “Sorry I’m not signed”

BUT, now I am making a change. I am now going to call myself an “independent artist” This is a better reflection of what I am and a damn sight less glum and apologetic. It’s something to be proud of. I may make myself a badge proclaiming myself an INDEPENDENT ARTIST. You wouldn’t want to walk around wearing an “Unsigned” badge now would you?

This is, however, not without risks when it comes to the getting found by people who are looking for unsigned people. If you Google “unsigned artists” you will get 867,000 pages whereas if you Google “independent artists” 157,000 hits you will find. Nevertheless, it may be better to be part of a smaller, prouder group.

Lets hope it catches on…..

Radio Radio

So once again the publicity machine that is Debbie and me spring into action.

I recorded a radio interview about two weeks ago and tomorrow it will be broadcast on the illustrious Original106 FM. 

I thought I would start my blog career at this point as I wanted to share what it's like waiting for some kind of recognition for work one has done.

I have put in the hard work, the writing of the music, working out the words or "lyrics" as us songwriters like to refer to them.

I've sat and recorded the songs, playing the same guitar part over and over again until I was finally happy with it. The guitar part for Life is a River took me a whole day, playing the same piece over again. Then, recording finished I work through the millions of effects. Which reverb to use? How much? This can take weeks of fiddling around until I get to the point when I think that I can do no more. Then the mix down, then mastering the song as a whole. The artwork for the album is also a painstaking event.

Which photographs? Which font? Sizing and resizing the images so that it all fits on the paper. Thankfully Debs does this for me. Otherwise the album would have the back of a cereal packet with "NIck TaNNs fing" scrawled in crayon slipped into it.

The album is then sent off (still with me? Good). Emails are sent to radio stations and then after a few months there's a response. There is a radio station that will play a track. let joy be unconfined! The next 2 months, thanks to carefully engineered please and requests, I get asked along to the studio to record an interview and to play a couple of songs.

After running through in my mind answers to possible questions, changing the songs I'm going to play, I finally get to the studio.

After a brief chat with Xan, I go into a tiny studio and play my 2 songs. They go well, I don't usually get nervous about playing thankfully. The interview  begins and I rattle on about transport links in the Southampton area. I kid you not,after all the work that we've put into the album, I start banging on about motor-ways. Still , I get the chance to talk about other stuff. I really need about half an hour but get cut short at around 10 minutes. He didn't ask any of the questions that I had anticipated but at least listeners will get to know how easy it is to get around Southampton. 

I won't tell you what I did say in the interview as I'm sure the majority of my yap will be edited out. But have a listen anyway. If you don't get a chance to listen to it live at www.original106.com it will be available as a pod-cast later.