Busy times

I often feel that I neglect this blog. I have others, three others but this one is just for my music. I think the fact that I don't use this one much is rather indicative of the fact that I don't push MY music enough.

I've spent the last few months working on my podcast and have had a great success,  finally finished Tom Caulfields brilliant album for my label Pure Acoustica Records.
I've also been working on Pure Acoustica , that also is starting to pick up and I'm stating it in a new venue this week.


A few weeks ago, after chatting to Matt Stevens, I started push my music and have had some great results especially with podcasters, ironic eh?

Bug cast and Made in the UK played my tracks this last weekend and there are more to come including some play on BBC local radio.

I am also planning an exciting development to the Vinyl project, remember that?

I'm also uploading my latest album plus some other stray tracks on to iTunes this week. I've actually been earning some money from iTunes, something I thought would never happen. It's not a fortune, enough for a few pints and enough to pay to get this new collection of songs up. That will make a total of about 37 tracks up for sale.

So now that Tom's album is finished, the podcast is looking after itself, Pure Acoustica has started again AND I've got plenty of gigs lined up for the summer now is the time to push these tunes of mine.

Come the autumn and winter I shall be writing another album or two and perhaps leave these tunes behind, but then again.......

Lists

I like lists, it concentrates the mind and helps quite the constant chatter in my head "Must do this, remember that, have to call/email/meet up with ....
It is almost endless.

This is a small extract form my master list, there is more so much more...

My Music
Develope my music locally and beyond. Good quality, well attended and regular gigs.

Sell cds and downloads, consistently.

The Vinyl Project.
Use the money that has been donated so far, and record a live album at Pina Studios in London. I will perform this in front of an invited audience who will be present in the studio. They will all pay £10 and will receive a copy of the record that they were present at the recording of. People who have already donated will be invited but will not pay the £10.



Pure Acoustica

I want to expand the number of acts to include poets, story tellers, magicians ect. I think there is a great potential for bookings for niche weddings and parties. I also want to explore the concept of House Concerts. Develope www.pureacoustica.com to reflect what is going on eg gigs, Bristol, artists.
Expand the number of regular venues and publisize "The Pure Acoustica Brand" 

I also want to produce and arrange other bands and artists. I have a lot of experience with this, just need to publicize it more.


Pure Acoustica Records (record label)

Expand the number of artists. This simple way of recording is a cheep and effective way of showcasing an artists talent. I think the stripped down style can also be a great blueprint for future recording. Again it's also a niche.
Develope www.pureacoustica.com to reflect the label as well ast the artists.

So there is a small extract of a list I made two weeks ago. It has altered somewhat and there have been developments.

I hope to have some concrete news in the next few weeks.

This space? Watch it!

Why Wait?

I get frustrated by friends and collegues who are waiting, waiting for something to happen before they do something. You know who you are and it's not just you it's all the others too.

Perhaps it's the fact that I'm aware of my own mortality or my mild paranoid fears of contracting a life threatening cancer, that I can't wait. I'm no longer in the first flush of my youth and I feel a sense of urgency driving me, constantly. I still have so much to do, so many songs to write, so many gigs to play, so many albums to record the list goes on.

I can't wait, I WON'T wait.

So I appolgise if I get frustrated by your inaction, I JUST HAVE A LOT ON!

Schemes and Plans explained

A few people have questioned me regarding my Schemes and Plans post.
I may have given the impression that I was going to hand in my notice at my day job and devote all my time to developing my musical career. As tempting as that sounds, that is not the case. If I had no responsibilities, daughters, a wife, a mortgage etc, then that is what I WOULD do.

What I am doing is putting things in motion in PREPARATION for leaving my job.

There is a chance that I might completely lose the plot and quit anyway, but that's ok as I do have other skills I can earn money from.

Keep clicking you beautiful people!

Schemes and Plans

I thought it might be a good idea to lay out my plan for this new year. I spread myself around the internet and I hope that this will answer some of the questions that I get asked regularly.

1) The Vinyl Project is still a going concern. It's a big project and will take time (*something that I do not have enough of) to fully develop but IT WILL HAPPEN. All the money that has been given is sitting in a special bank account and will not be touched until certain milestones have been achieved. By that I mean sufficient funds to start recording and a certain level of publicity to make the whole thing viable. I promise that despite my dwindling personal funds I will not touch the money collect and THIS PROJECT WILL HAPPEN.

2) Pure Acoustica Despite The Dolphin (our main venue) closing Pure Acoustica is far from dead. I have found a great venue to carry on. More details to follow. If you're interested in Pure Acoustica either from an audience point of view or as an artist either pop your email address into the reverbnation widget on the right or if you're a Facebook person click here.

As well as the live element of Pure Acoustica, I have also started a Pure Acoustica label. I have 2 great artists Tom Caulfield and Emmy-Lee signed up already. I am three fifths of the way through Toms album and have yet to start on Emmy's but will do *very soon.
I'm also half way through recording a new album of tunes, NOT THE VINYL PROJECT, that I hope to finish in the next 4 weeks*

3) Is This Thing On pod-cast I'm itching to start again but it's the lack of time* that is once again holding me back. The main thrust will still be independent (ie poor) composers and musicians as well as the usual rants, opinions, crazy ideas and some of the best non signed independent music I can find as well as that I have some interviews lined up.

4) I have promised to do a few live radio spots for some of my friends who have regular shows and will let you know as and when they happen.

I'll also continue to play out in Southampton as well as anywhere else that I can find and will continue to do musical odd-jobs for Watch With Mothers and anyone else who wants me.

*TIME.....All the schemes and projects I have suffer from me not having enough time to commit to them so I have taken the decision to give up my day job later this year and go full time on musical projects. It's a big decision as I have bills, mortgages and daughters to consider. But if I don't do it now, I never will.
I have a few things I can fall back on if I need some part time work (the docks are just up the road sweetie) and a very supportive wife so it should work eh EH EH?


To follow my progress you can follow this blog, to be kept up to date with gigs, radio appearances etc pop your email address into the first reverbnation widget on the right (the Nick Tann one), I also have a facebook group here  or you can come and stalk me at Twitter
If this is your first time here, welcome. Have a listen to some of my tracks and if you like then tell a few people eh?

Is This Thing On Podcast BBC Special

Me just before I left for the Beeb. I may not have looked good but I smelt great!

The foyer or "Live Lounge" at BBC Sussex in Brighton

This podcast is an edited version of the live session I did for South:Live BBC radio on Sunday the 22nd November. I was invited along to the BBC Radio Sussex studio in Brighton and recorded 4 songs and a short interview. I had a great time and was fortunate to meet some great people. Kairen Kemp the presenter, Natasha Wineburg the producer and Dan bridge the studio engineer.
In the interview I mention The vinyl Project, Charles Olsen and Swineshead and Napoleon from Watch With Mothers
To listen to the podcast you can either click on the iTunes link on the right hand side of this page, use the green and play player just under it or go to my podbean podcast site and play it from there.
Normal pod-casting service will be resumed in the next 4 weeks. I'll be focusing on independent composers and artists. Why not subscribe so you don't miss out? WHY NOT?

Natasha Wineburg the producer.

This was the first show she'd produced solo.

What a star!

Duo et Mono

http://www.monobar.com/

So my plan was to go and play at 90 Degrees in Southampton last night (Wednesday)
It's one of those large plush clubs in town frequented by students and other bright young things. Not my usual kind of place, I have tee-shirts older than most of the people in there, but I've played there before and went down surprisingly well and they asked me back to play and so I did.
On the way there I texted friend and fellow muso Real Raj as to what I was doing and as luck would have it, he was playing just round the corner at the Mono bar and would meet me for a swifter before he went on. Mrs Nick was too tired to come out on a school night, so I was on my own.
So it was all rather jolly as I walked in to 90 Degrees, Raj at the bar chatting to another music type. I'm sure he knows just about every singer, player, promoter whatever in Southampton!
He was just about to start so we agreed to meet up at the Mono after I had finished my set.
It was a noisy 90 Degrees by the time I started and I quickly realised that hardly anyone was listening. I got a smattering of applause but I could tell that they weren't really into it. I wasn't that bothered to be honest, I was in a tip top mood, I wasusing this as a rehearsal for a bigger gig I have this coming Monday and I was looking forward to catching up with Raj at The Mono. So when I finished to a larger smattering I slipped out and was off to The Mono.

The Mono was a welcome change. Just around the corner but still right in the centre of the Southampton club area, The Mono has a fantastic friendly atmosphere. A great guy called Jack Martello was rocking the place and had the crowd in the palm of his hand.
I met up with Raj who introduced me to one of the guys that run the nigh, Martin.
Whilst chatting Martin mentioned that the next act had just cried off and offered me a spot after Jackson. Sorted!
So after 15 mins or so I got up on stage and did a few of my funkier songs as I guessed that the crowd wanted to stay up on the high that Jackson had created previously plus they were all a it pissed but that nice red wine late at night type pissed not that largered up angry pissed.
Someone requested something romantic so I did "All I Think About Is You" which went down really well. One girl actually stood up and started swaying (to my lovely music not because she was legless!) as if she was listening to a tune she knew, loverly.
I finished off with "Pale Moonlight" which is always a nice big crowd pleaser.

Met up with Raj and Jackson at the bar who were chatting with Martin and the other guy that runs the night Christian. Jackson was very keen about Pure Acoustica and will be playing at the next night at the Dolphin.
Martin and Christian seemed pleased with my set and said they'd book me for another.

I didn't get home till 1.30am so I was pretty knackered when the alarm went off at 6.50.
Still, had a great time.

Last Saturday

Just posted a short vid of an audio clip and some still from my gig at The Soul Cellar in Southampton as part of the Angry Badger Showcase. Yes, I'm not too sure why they asked me but I'm glad they did!
Pucka stage, P.A. and some great lights care of Glynne.
I asked Joe the sound guy to experiment with the out front sound, hence the crazy reverb.
It was interesting how some songs don't work as well with a P.A.
"Glad you Came" was a bit odd. All that picky guitar doubled back on itself but I thought this version of "How Do You Sleep?" worked pretty well.
Eh?

A Fucking Fiver!

I wonder how many of you wonderful people follow independent artists? The ones who possibly suffer from the tag "unsigned". If you don't I understand, I mean there's so much great music out there in mainstream land.

There's, probably, a sexy girl band, some solo rapper types, the odd make up daubed fey (?) guitar band, an Irish boy band all singing the same note, a competition winner as well as the plethora of assorted female American lunatics. Spoilt for choice eh?

You may be forgiven for thinking that these un-signed acts must be shit, otherwise they'd be signed right? Well, if you carry on that line of logic then the statement "signed bands are all great, otherwise they wouldn't be signed, right?" would also apply and we know that's certainly not true.
There are many dreadful acts that reside under the tag "Independent" or "un-signed" I'll give you that.

HOWEVER

There are many more that are bloody wonderful but how do you find the good ones?
How do you find a band who are at the level when you can still go and see them for less than a tenner, where you can get an email from them (not some industry lackey) letting you know when they are playing and what they are up to and where you can start collecting their early works before they got signed and it all when it bad!

I give you this The Showcase Sett Limited edition 16 track compilation cd
It's been compiled by Xan Phillips and Jules from Angry Badger Records and iconic -culture and I went to the launch of this last night and heard the whole thing, twice. It's bloody marvelous, no really.
I defy you, DEFY, to find a duff track on it. There may be a track or two that may not be too your taste but that's to be expected. It's got one of my favourite bands in the world on it, the mad and beautiful Wise Children. Their track I featured in podcast number 11 is just pure Joy!.
Last Night Andrew Foster played his track "The Alchemist" live and was quietly and poetically profound. He later joined up with the amazing Loz Bridge from Loz Bridge & The Box Social and totally blew everyone away. Loz is a legend. Think Gomez (remember them?) hugging Keene.
There are plenty of great tracks on this album, yes yes yes one of mine is on there but you can forget that, you can still download it for free by clicking that little widget thing but as I've already been paid for it I don't give a bugger either way.
I guarantee you will find at least 3 bands that you will want to hear more from and if I'm wrong, then you have no soul, no soul at all.

All for a fiver, a fucking fiver!

Melancholy...

This is what I and I know other songwriters and performers suffer from. It can be triggered by many things, a bad gig, review, criticism but more often than not self doubt. Is it all worth it? Most of us have regular full time jobs and that can be the great leveller. One can play a great gig in front of an enthusiastic appreciative audience, get a great review or comment about a song or performance, write a great new piece of music THEN then next day return to an often humdrum 9-5.

For me it's not a long term thing, it happens maybe three or four times a year. It's not a clinical depression or even depression. I prefer to call it MELANCHOLY because that's what it is. It doesn't last long, 4 days at the most. It doesn't always happen after a great gig or a non glowing review.

Last night I wrote a new song, it's my second in seven days. They're both great, the first one probably one of my best ever. The second one I like too, I'd like to spend more time working on it but I have to be here today. Yes I have time to type this and I'm luckier than most in that respect but I'd rather be at home working on these new tunes. Recording, mixing, uploading and promoting.

What about you?

Do you get this?

What triggers it?

How long does it last?

Who the hell blogs on a Saturday?

Yes well I do!

My weekends are often like a work day for me.

Today I am preparing for the Winchester Mayfest.

It has so far involved, printing and burning promo cds of myself and a comp of some of the other acts playing this afternoon, tinkering with guitars cleaning and the like, hunting out minidisk recorder blank minidisks leads etc and printing and cutting card inserts for the cds.

My wet-suit arrived today and the surf at Boscombe looks great, typical.

It is also clean up day in our street. Folk move their cars, trim their street trees and generally tidy up. Then men and street cleaning lorries come and take it all away leaving the neighborhood looking neat and tidy.

In stark contrast, I intend to return from Winchester beery and disheveled!

Podcast Number 10

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This has been one of my favourites. I interview independent artist, musician, dancer, actor and great friend Charles Olsen. He talks about visits to, the now notorious, Branstons Farm in Surrey in the early nineties. Meeting Dave, Paul and myself in the early stages of Drunk on Logic, almost winning the Saatchi prize and living in Madrid. As he lives in Madrid , the only way I could do the interview was to record our Skype conversation and it turned out pretty good.

I found myself without a clip of Charlie playing Flamenco so had to Skype him to send one, only to find that he didn't have one either. Fortunately he was able to record an impromptu piece on the spot and email it over. What a pro!

His web presence is amazing and has many a site to see as he does so much. Including a blog written in Spanish!

If you use iTunes to download this podcast then you will also be able to see the pics I added, screen grabs showing our Skype/recording session.

I also included one of my tunes as well as a 12 year old recording of Drunk On Logic's first paid gig.

If you don't have or fear the iTunes then you can listen or download by clicking here

Is This Thing On Podcast 8

This podcast includes music from Pure Acoustica artists Emmy-Lee and Botyov 1791 and  part 1 of my conversation with Neil Drinkwater a.k.a. Red Stripe from The Red Stripe Band.

Emmy-Lee and Botyov 1791 will be joining me for the first Pure Acoustica event this Thursday the 12 of February at The Dolphin in St Denys

I've wanted to interview Neil for some time. He has been a full-time independent musician for just over 6 years and manages The Red Stripe band a nine piece swing bamd, often compaired to Jools Holland on speed!

He is also a great friend.

More from him in Podcast number nine but that's another story!

Oh yeah and I made this.......

 

Sleeve Notes for new Album "Bare Bones"

On listening to the first couple of tracks of Bare Bones I doubt you'll be clicking the iTunes buy button straight away.

The production is basic, to say the least, the vocals are often overwhelmed by the guitar and vice versa. Many of the tracks are short, have untidy endings, lack a "bridge" or "middle eight" or even a chorus!

This is my "back catalogue", my history. Many of these songs were recorded over ten years ago at 3am using one basic microphone and an old Mac. An audio notebook of ideas and inspiration.

But there are songs, oh yes, and that's what I want people to hear. Naive perhaps, basic even.

The alternative would have been to leave them, let them rest on a hard drive until the Mac eventually dies. But then what would have been the point? I still play many of these songs; I will often take parts from songs, a chorus, intro or theme and use them in a new composition.

So these songs are footprints, the tracks of my journey to the here and now.

No vocoders, no auto tune or expensive production or mastering.

Have a listen, you may even remember hearing one for the first time at that gig 8 years ago with that guy you didn't know in that dodgy Soho club you went to just the once to check it out but never returned. Or you may have been round my flat one night after the pub and cajoled me into playing something.

Or, of course, you may be listening for the first time in which case, don't judge too harshly as what you are listening to are just the "Bare Bones"

See what I did there?

Original artwork is by my good friend Charles Olsen

Podcast no 7

This week, amongst other things, I rant about buying a fridge at Comets, play some fantastic music by Matt Stevens and Simon Javens, a new advert for those great folk at Hayward Guitars in Winchester, talk a little about Pure Acoustica and launch the very first "Twitter News"

Outside the Box

I have 6 tracks that I recorded at an acoustic gig I played last week. I used my lovely Rhode NT1 plugged into my portable minidisc and the quality is stunning. Therefore after a little tweaking I will release them for digital download by Xmas on good old iTunes as I did with "Life is a River"

It's about a year since I released "Life is a River" and to be honest I made about £150 profit from it and I'm pretty chuffed considering I wrote and played all the songs myself and recorded them in my spare room. 

Now you are all smart creative folk (aren't you?) what I would appreciate are your ideas to help publicise this album. Interesting viral marketing type ideas and publicity stunts.

If you know me then you will know that I'm pretty shameless when it comes to whoring myself round this great web of ours so I'm not going to whimp out of anything due to any shyness.

I did a special mix a few years ago of old People tracks preceded by a snatch of dialogue from Pulp Fiction. It sounded pretty natty and as I didn't inflict it on the world there were no messy copyright issues. I could go down a similar road this time and use some other spoken word. I could even hang the copyright stuff and hope for some publicity. There is no such thing as bad publicity eh Charlie?

I'm a bit handy at editing video so I could make a film for the tube of you

I did want to put up a witty and pertinent youtube vid but decided to treat you all to probably one of the best vids I've ever seen.

So throw me a bone, you've had great ideas before, share a few. 

I don't have a name for this album yet nor any ideas for the cover.

So let your imagine fly and aid me in giving up my day job.

It Could Have All Gone Horribly Wrong

But, fortunately it didn't.

A chap called Nick dropped me a line to tell me about a new weekly event he was starting called Natural Jam, an acoustic night at The Havana Bar in Southsea. I quite like Southsea, I have some friends there and vaguely remembered going to this bar once last year. I had been drunk but remembered the table football and great murals. I digress...

It was agreed that I would play the opening night last Tuesday 12th Nov.  I Googled the other people on the bill and checked out some of the people attending.  Shit they were young. Teenagers and early twenties types, not my usual audience of 30-40 somethings. I was a little apprehensive.

It could all go horribly wrong. 

My last gig being Chaplins I still felt a little shellshocked but I turned up optimistic anyway.

Nick had decided that all the acts (there were 3 including me) would play without mics, amps and all that shenanigans and play pure acoustic. 

The stage is pretty big, set up for bands and the like.  Plenty of comfy couches and sinking chairs.  The first act, I would guess, are more used to electric guitars and P.A.s but did a pretty good job and the djembe sounded great.  Next came a duo who also accounted well for themselves.  They even had a bash at Hotel California which shows some balls!

I did pretty good! I had re-written "Don't Make Me Wait" putting in a key change and changing the chorus.  I had a ball, I love this pure acoustic stylie.  Unfortunately, the fucking minidisk player didn't work so I don't have a record of it but i enjoyed myself no end and can't wait to play there again. I think that this could be a great success this pure acoustic stuff and I hope Nick realises the potential this place has got.

If I had one niggle it would be that no-one was introduced. We all kind of shambled on and started.

What about a "Welcome to Natural Jam at The Havana. We do this every week. Lets all give it up for Blah Blah Blah?"

Come on Nick, pull your finger out eh?

Catch Up

The Edge of the Wedge Southsea.....is a nice little bar. I played there before earlier this year and loved the place. It's situated on the main drag in the seaside bit of Portsmouth next to The Wedgewood Rooms. It had changed a bit since I had last played there. It had more sofas and it was dark outside. Not the bars fault obviously just the time of year. I was given the choice of when to go one and decided on the second slot. There were 3 acts on (supposedly, I'll get to that) so the second slot was the obvious choice. The first guy could soften them up (the audience), I come on and blow their minds and then the poor sap coming last has to "follow that!". Yes, cold and calculating, that's me.

The first guy came on and did a good fluffing job for me. Then I hauled myself out of one of the many sofas ( they really are very comfy) plugged in and was good to go. I was a little apprehensive as I had decided to do my quiet, ballad rip your heart out songs and the place was pretty noisy. It was a youngish audience and there were a few characters at the bar who looked like they might not take to songs about unrequited love, prostitutes the odd Jeff Buckley cover.

Also, just as I was about to start the entire bar erupts into a cheer as a be-spectacled figure walks in with a guitar case nodding, exchanging back slaps and pleasantries with pretty much everyone in the place. It then dawned on me (quick see that's me) that these were ALL his friends. They had ALL come to see him. He soon collected a little posse of smokers who would, en masse, troupe outside for a smoke and more backslaps throughout my set. 

However, they loved it or rather they loved me. They were quiet and attentive throughout my set, applauded and cheered in the right places  and were more than happy as I pimped my cards and cds after my set.

I then realised that my decision to go second was a good one. Mr Popular came on and played a short (15 mins or so) set of tunes on his Uke  that he had written 20 years since and were known by the entire bar, as they were all his friends (remember? Hope you're keeping up).  Funny, witty and not too far away from the great George Formby whose wife Beryl is a bit of a hero of mine. Next up was another friend of the audience who, guitar in hand, went on to please the audience. All this, coupled with the comfy sofas, had the feeling that we were at a house party thrown in a strangers house.

By the time yet another "mate" had taken the mic we thought it was time to leave. It was all very good but yet another private joke laden set was too much for us by then and we (Mrs Nick, Bill & Lisa ) disappeared into the night

This was just before all my Winchester gigs so a nice little warm up it was. 

Not like Chaplins last sunday, oh christ no.......

Pure Acoustic

So last Friday I thought I'd try something new. I really enjoyed the whole Froggies bar experience from the week before. I did email the Frog about playing there again but methinks I may have been a bit too pricey for him. He's probably found a cheap covers merchant by now but I'm not bitter. 

But I digress 

I decided that for the gig at The Eclipse I would play totally acoustic, no amp and no mic. Just me, a stool and a guitar. Despite it being only 6.30 there was a fair share of drunk types about as well as some BLIND DRUNK people staggering about. 

It was fantastic, the feeling of just sitting in the middle of this pub "naked" was one of the most liberating feelings I've ever had and I've had a few. The sense of freedom was overwhelming . Yes, people did speak when I was playing and I fell into that same "adding to the atmosphere of the place" feeling that I had experienced the week before but the reaction after each song was just amazing. During the second half hour one of the afore mentioned drunks hovered in front of me agog. He had the look of a young kestrel, head still and eyes fixed whilst his body gyrated trying to steady itself against the torrents of alcohol pulsating through his system. Now normally this would have been a little disconcerting. You never know what your average drunk will do. Will he (why is it always a he, I despair of my gender sometimes I really do) get nasty, friendly, emotional or just vomit over you and pass out? The thing is is that one feels a little trapped, guitar plugged in and mic and stand holding one in. But this feeling that at any time I could just get up and run gave me the kind of confidence usually reserved for super-heroes. So I turned and looked at him, he was about 3 feet away carefully (kind of) balanced on a table, and sang "How Can it be Wrong When it Feels so Right?" straight at him with feeling and passion. 

I doubt if he would have remembered much about that night, seriously he was so wasted that he fell into a table later and pretty much passed out. I wanted him to wake up in the morning, try and piece the night before together and then remember this big guy with a guitar singing love songs to him. Nevertheless it was a great evening culminating with food and wine and good company

I'm at Chaplins in sunny Boscombe on Sunday and possibly shooting a promo video if I can get my act together.

Whoop De Fucking Do....

"Hi Everyone
Thanks to all the people who turned up for the open auditions onSaturday – over a thousand of you attended and we're glad wemanaged to see everybody who came.
The quality on the day was very high and you made it tough for usto decide who to put through. Unfortunately, if you haven't heard from us yet then you didn't get through to the next stage, but wereally appreciate all the effort you made to come along.
We've plenty more things to entertain you coming up on the site –so make sure you stick with us. There'll be a gig zone to promoteyour music and increase your exposure, competitions to win mobilephones and other prizes, exclusive previews of the show and behindthe scenes content, Alex Zane's blog and Alex James' photo diary.
Check out the website later today for photos and a full report ofthe day.
Orange unsignedAct"



I think I'll leave it now eh?